Monday, April 6, 2026

AKITU, the Chaldean-Babylonian New Year Festival

 



AKITU

Is It Exclusively the Chaldean-Babylonian New Year, and Why?

 

Dr. Amer Hanna Fatuhi

 To begin with, I emphasize that the purpose of this article is not to delve into the technical details of the AKITU festival—the Chaldean-Babylonian New Year—nor into its ceremonies and rituals, which I have previously explained in my book Chaldeans Since the Early Beginning of Time (U.S. edition 2004; Iraqi edition 2008). For details about the AKITU festival, see pages 208–211 and 266–269, available for free at the following link: http://kaldaya.me/2016/06/27/2579

It is also worth noting that I discussed AKITU in detail in English in my 2012 book The Untold Story of Native Iraqis – Chaldeans (pp. 274–278 and 353–355), as well as Babylonian religious festivals and rituals in my book Chaldean Legacy (pp. 55–92 and 191–216).

www.NativeIraqis-Story.com | www.ChaldeanLegacy.com

More than two decades ago, the Chaldean Nestorians—who were imported in 1918 from mountainous regions in present-day Turkey and Iran and later “Assyrianized” themselves in 1976—began celebrating AKITU as an Assyrian holiday exclusive to them, under the illusion that they are ethnically Assyrian. Even though, in reality, there was never an “Assyrian” ethnicity or language throughout Mesopotamian history.

Furthermore, the region of Assyria, culturally subordinate to Babylonia since its establishment in 1318 BC, had a population that was predominantly Chaldean (ethnically).

They celebrated a New Year festival called šattu eššutu (shortened to eššutu), written in cuneiform as “Gibil” or “Gibil4.” This celebration was a local festival known among the Chaldeans of Assyria since the time of Shalmaneser I, the father of Tukulti-Ninurta I, who stole the statue of Marduḫ/Marduk, aka Asalluhi, from Babylon. 

Naturally, the New Year festival šattu eššutu in the early time of establishing the Assyrian kingdom differed in detail from the Babylonian AKITU, especially in its modest rituals and ceremonies, which reflected the limited size and status of that early kingdom—initially no more than a narrow strip of land roughly 100 miles long and 50 miles wide.

Therefore, the claim by those who adopted the 1976 Assyrian identity (Chaldean Nestorians) that AKITU is an Assyrian holiday—meaning that it was invented and officially celebrated in Assyria by a supposed Assyrian nation—is false and a blatant distortion.

Scientifically and historically, such a misconception is entirely incorrect—comparable to claiming that the Pope of the Vatican is not Catholic or that the sun rises in the west.

It is also ironic that some modern Syrian writers, influenced by these claims, have begun promoting the idea that AKITU is a Syrian holiday. In reality, the concept of ancient Syria as a national identity does not go back more than 123 BC, and its borders at the time did not extend beyond the Syrian coast. Many well-known ancient city-states, part of today’s Syria—such as Mari, Qarana, and Ebla—were originally Babylonian cities.

Moreover, the culture of ancient Syria, centered in Ugarit, was, like other cultures such as Elam, deeply rooted in and saturated with Mesopotamian civilization.

Unfortunately, such misleading narratives have been encouraged by the lack of courage and competence among most contemporary Chaldean leaders, who have failed to defend the rights of the Chaldeans, the indigenous people of Iraq. Their submissiveness and hesitation in preserving Chaldean heritage stem from weakness, often justified under the guise of tolerance.

As a result, many feel free to encroach upon our rights and ancient Mesopotamian heritage, even appropriating our Chaldean-Babylonian traditions and attributing them to their own cultures—some of which emerged more than 5,000 years after our Proto-Chaldean ancestors laid the foundations of human civilization. Among the most significant of these appropriated traditions is the Chaldean-Babylonian New Year (AKITU).

The Persians began celebrating AKITU under the name Nowruz from the 5th century BC after conquering Babylon. The Kurds later adopted and celebrated it as well under the same Persian name, Nowruz, which is Persian and means “New Day.” 

Despite the Persian origin of Nowruz, some radical Kurds, due to their political influence and demographic presence in an Islamic environment, have gone so far as to claim that their celebration predates the Persians—dating it to around 701 BC, a time when there was no Kurdish people in existence!

Even more striking, they link it to the story of Shahnameh and the folk hero Kawa the Blacksmith—a tale written in 1010 AD, which directly contradicts their claims of antiquity. Notably, the Shahnameh was written not in Kurdish (a mixed language) but in Modern Dari Persian, which followed Pahlavi Persian. Dari remains widely spoken today in Iran and Afghanistan, particularly among the Hazara and Tajik populations.

For the sake of fairness, Persians and Kurds do not claim precedence over the Chaldeans in celebrating the spring equinox, nor do they assert that AKITU originated with them. The Kurdistan Regional Government, in fact, tends to follow a politically cautious approach to avoid diminishing any Iraqi group or engaging in disputes created by the 1918 imported Nestorians.

www.youtube.com/watch?v=5jbK7k94NAI

Who Are the 20th-Century Assyrians?

Nevertheless, the Barzani family openly supports the Aghajan family and the Nestorian minority—whose origins trace back to the Hakkari region of Turkey, later moving to Russia and Iran before being brought to Iraq by the British in 1918. In contrast, the Barzani family has refrained from supporting the Chaldeans (the indigenous people of Iraq) and their mother tongue, Chaldean. Simply, because the Chaldeans are the indigenous Mesopotamians and the landlords of what is now known as the Iraqi Kurdistan region.

It is therefore about time to set the record straight and demand that the Iraqi government—and implicitly the Kurdish regional government—recognize us in the constitution as the indigenous people of Iraq, and officially celebrate the Chaldean-Babylonian AKITU festival.

Our indigenous rights, including land, self-governance, and treaty entitlements, are inherent but often must be actively claimed, asserted, and defended through legal challenges, political lobbying, and protests to be fully recognized and upheld by the state. Our rights must be claimed to be obtained, as expressed in the Chaldean saying: “A right needs a mouth to demand it.”Those who demand their rights with strength and wisdom will achieve them fully, and in Chaldean “Zudqueh Ba’aie la Pummeh.” 

Before explaining the legitimacy of AKITU as a Chaldean tradition, I would like to point out an undeniable fact: the celebration of AKITU, the unified Mesopotamian New Year (on April 1st), originated in Babylonia and continued there until it ceased during the Parthian occupation.

It then faded into obscurity due to the indigenous Chaldeans' loss of their sovereignty, until it was revived by Chaldean activists in 2000. 

It is also worth noting that Iraq’s fiscal year, until the late 1980s, began on April 1st based upon the Babylonian calendar, marking the start of AKITU celebrations. This tradition continued until 1988, when the Ba’ath Party abolished it and changed the fiscal year to begin on January 1st. 

The assertion that AKITU belongs exclusively to the Chaldean Babylonians is supported by numerous undeniable factors, foremost among them archaeological discoveries and historical records. 

Therefore, conciliatory and compromising Chaldean leaders—both civil and religious—especially those who underestimate the importance of this unique heritage, must understand that before engaging in political compromises or relinquishing our historical rights to dominant powers for personal gain, they must fully comprehend and respect the unparalleled history of the Chaldeans. Weak leadership leads to the loss of rights, as expressed in the well-known Chaldean proverb: Min rabutha dAkkarie huwea haqlatha L Dthiyasha “Due to the farmers' weakness, the fields are being lost.”

Thus, incompetent Chaldean leaders must either step aside for those who are worthy or awaken from their negligence and put an end to the violations that have been committed against our rights—including affirming that AKITU belongs to the Chaldeans, the indigenous people of Iraq. 

Historical Overview

It is worth noting that the celebration of the AKITU festival did not begin, as some assume, in the city of Ur. Rather, the ancient Mesopotamians (the Proto-Chaldeans) observed two occasions marking the New Year as early as the sixth millennium BC, particularly in the cities of Eridu, Babylon, Kish, and Uruk. 

It should also be noted that the name “AKITU” is derived from the Akkadian language, while its Sumerian designation is merely a literal translation. This is because the Babylonians wrote in both Akkadian and Sumerian scripts, as evidenced by the Epic of Gilgamesh, the Enuma Elish myth, and the hymns of Enheduanna, daughter of Emperor Sargon (ethnically Chaldean), all of which predate the Third Dynasty of Ur.  

The latter celebrated the New Year (AKITU) with rituals dedicated to the god Nannar (Sin), the moon god and god of wisdom, in his temple E-gishnugal (“House of Light”), while the Akkadians of the Babylonian region venerated Babylon and the god Marduk.

See page 137 of the important reference Gods, Demons and Symbols of Ancient Mesopotamia by Jeremy Black and Anthony Green. Also see the Akkadian text "Šarru-kīn," the legend of the birth of Sargon.

Therefore, anyone who incorrectly attributes the AKITU festival to the Sumerians should understand that the term "Sumerians" in ancient Iraq referred only to a cuneiform script and a linguistic-cultural system (eme-sal), whereas the concept of a Sumerian ethnicity is a modern invention, introduced by the French scholar Julius Oppert in 1869 and later popularized by Samuel Noah Kramer. Accordingly, those who associate AKITU with the Sumerians must first realize that there was no historically attested "Sumerian race" in ancient Iraq.

For a deeper understanding of this somewhat complex topic, along with archaeological, historical, and textual evidence explained in detail, you may consult my study titled Ur of the Chaldeans or the Sumerians at the following link: https://kaldaya.me/2026/02/25/29547.

The important question here is: if AKITU was not Sumerian but Babylonian, as explained, why do some attempt to falsely attribute it to the Assyrian region?

The answer is quite simple. While the rulers of Assyria fully acknowledged Babylonian culture and civilization—meaning the cultural achievements of central and southern Mesopotamia—the Babylonian language and script dominated both state administration and everyday life from the reign of Shamshi-Adad I (of Babylonian origin, 1813–1781 BC), founder of the Assyrian kingdom, through the reign of Ashur-dan II (935–912 BC). There were no significant changes in writing systems or language in the region, and Babylonian influence continued effectively until the 7th century BC, according to scholars such as Erica C. D. Hunter, Annie Caubet, Patrick Pouyssegur, and Michael Roaf.

In contrast, the culture of central and southern Mesopotamia surpassed that of the north, which remained less developed and bore the marks of various foreign groups such as the Subarians, Hurrians, and Hittites. As Nicholas Postgate notes in his well-known book Early Mesopotamia: Society and Economy at the Dawn of History, Iraq 1991, p. 117: "The problem was not easy [with the Babylonians], for Babylon represented the civilization of Mesopotamia. This led Assyria to acknowledge Babylonian culture and the supreme god Marduk." However, attempts by Assyrian kings during their relatively short-lived imperial phase to dominate Babylon involved serious complications, including the ritual of "taking the hand of Marduk," the patron god of Babylon and the supreme deity of the Babylonian pantheon.

Thus, while the inhabitants of northern Mesopotamia (mostly Proto-Kaldi) worshipped the gods of the south and center from the founding of the Assyrian kingdom in 1813 BC, the Babylonians completely rejected the inclusion of the god Ashur in their religious rituals or even in artistic representations on stelae produced in the Babylonian region.

A clear example is the absence of any reference to the participation of the god Ashur in the AKITU (New Year) festival, which was officially celebrated in Babylon from the 1st to the 11th of the month of Nisanu (the first month of the Mesopotamian year). Other cities celebrated AKITU only after the central festivities in Babylon had concluded. 

This fact is also noted by Georges Roux in Ancient Iraq: “The New Year festival was celebrated in other cities outside Babylon—such as Assur, Nineveh, Erbil, Harran, Dilbat, and Uruk—but on different dates,” meaning later dates. It would have been improper to celebrate the New Year before the first of Nisan, the official date in Babylon, and it was not feasible to celebrate it simultaneously in Assyria because the gods of the major cities were present in Babylon. 

Further evidence that the Babylonian region did not recognize the divinity of Ashur—regarded as a foreign (Subarian) deity—is that Hammurabi did not mention him in the prologue to his famous law-code stele, despite thanking 25 gods from various Mesopotamian cities. Even when Hammurabi referred to his construction works in the city of Assur (then part of the Babylonian Empire), he did not mention its god.

Most importantly, any king from the Babylonian region who sought to rule all of Mesopotamia did not need to perform the ritual of taking the hand of Ashur to be recognized as legitimate. In contrast, any Assyrian king who failed to perform the ritual of taking the hand of Marduk was not considered a legitimate ruler of Mesopotamia, but merely a local king of the northern region. Therefore, all major kings performed the ritual of taking Marduk’s hand on the eighth day of the AKITU festival to be recognized as legitimate rulers.

This historical fact clearly indicates that political legitimacy in Mesopotamia derived from Babylon, not Assyria, and that AKITU was exclusively a Babylonian festival, as its central requirement was the presence of the legitimate god who orders the cosmos—namely Marduk.

This is further supported by the following points:

First: Archaeological discoveries and cuneiform records—especially the more precise 20th-century translations "decipherment" into modern languages (German, English, French, Russian)—confirm that AKITU from 1-11 Nisanu belongs specifically to Babylon and the Chaldeans. These include the works of Woolley, Jacobsen, Lloyd, Halévy, Rawlinson, Hincks, Grotefend, Saggs, Diakonoff, Oates, Pöbel, Landsberger, Bidmead, Smith, and many other European, American, and Iraqi archaeologists and translators such as Taha Baqir, Fouad Safar, Bahija Khalil Ismail, Fawzi Rashid, and Nail Hannoon.

Second: Archaeological evidence also shows that the Proto-Chaldeans celebrated the New Year (AKITU / A-ki-ti-she-gur₁₀) in the month of Nisan—when day and night are equal, marking the seasonal turning point—as early as the pre-Sumerian-culture period (2900–2650 BC). In fact, these celebrations began even earlier, during the middle Ubaid period at Eridu (around 5300 BC), one of the oldest and most authentic phases of Mesopotamian civilization (ca. 6500–3700 BC). Eridu represents an early urban stage, with the emergence of temples, painted pottery, and early urbanization. 

How do the Chaldeans calculate their national calendar?

https://kaldaya.me/2026/01/11/29241 

Eridu is considered the twin city of Babylon and one of the two capitals of the early Chaldeans, both bearing the sacred name "Nun-ki" (dwelling of life). Both cities shared sacred features such as the ziggurat, the Esagila temple, and the statue of asarluḫi/Asarluhi (Marduk).

These elements were exclusive to them and forbidden to other cities, including Nippur, the most religious city and the cultural-spiritual archive of Mesopotamia. 

What made AKITU exclusively Babylonian was the unification of the two New Year festivals—AKITU and Zagmuk—during the First Babylonian Dynasty, which standardized the name “AKITU” and incorporated the rituals of Zagmuk. These rituals became officially performed in the Esagila temple, bīt akītu Akitu-Hashaul building at the akītu ṣēri in the countryside, outside the walls of the ancient city, specifically about 200 meters north of the Ishtar Gate, and became a defining feature of Babylon and the Babylonian region.

Third: The celebration of AKITU is inherently tied to the presence of the main statue of Marduk (Asarluhi) in the Esagila temple, where most of the festival rituals take place. During AKITU, the gods of major cities travel in grand processions to Babylon, where their statues reside in the Esagila. The process begins with sending a delegation to the temple of Ezida in Borsippa to invite Nabu, the son of Marduk. 

These details show that it was impossible to celebrate AKITU in any city other than Babylon, since the gods of all Mesopotamian cities gathered there to honor Marduk, the core of the universe in Mesopotamian belief. 

The visiting gods played a crucial role in completing the rituals. On the seventh day of AKITU, they relinquished their names (the source of their power) to Marduk, symbolizing his supremacy and his victory over chaos and death. On the eighth day, Marduk recreated and organized the world. After expressing their loyalty, the gods joined the people in celebration until the eleventh day of Nisanu, departing on the twelfth after cosmic order and prosperity had been restored. 

The act of surrendering divine names reflects the belief that a name embodies essence and power. Ea/Enki (Marduk’s father), known as the god of mighty command, grants his name (power) to Marduk in the creation epic Enūma Eliš, enabling him—along with the submission of other gods—to recreate the world.

This act of creation and organization could only occur in “Nun-ki,” the dwelling of life—namely, Babylon (city of Marduk) and its twin city of Eridu (city of Ea/Enki).

See Chaldean Legacy, pp. 55–92 and 191–216. www.ChaldeanLegacy.com

Babylon's enemies understood that the presence of Marduk in the city signified the potential for performing the Akitu rituals, which were synonymous with divine protection for the Chaldean capital. These annual rituals also ensured Babylon's security, prosperity, and strength.

For this reason, Babylon’s enemies attempted to capture the statue of the god Marduk to control the Babylonians. The statue of Marduk was stolen more than once, beginning with the Hittite king Mursili I, who sacked the city of Babylon around 1595 BC. It was later returned by the Hittite king Suppiluliuma I as a gesture of goodwill. The Elamites also plundered the region of Babylon around 1150 BC during the reign of their king Shutruk-Nakhunte, who stole the statue and took it to Elam.

The statue was successfully recovered and brought back to Babylon after the Chaldean Babylonian king Nebuchadnezzar I (1125–1104 BC) launched a campaign against the Elamites, an event that remained in Mesopotamian memory until the time of Nebuchadnezzar II.

As for the kings of Assyria (Babylonian in origin and Chaldean ethnically), from the time of the founder of the Assyrian kingdom (Shamshi-Adad I, 1813–1781 BC), the conflict between the kings of Assyria and Babylon was merely a power struggle.

See the chapter titled: “The Legitimacy of Kingship in Ancient Iraq between Babylon and Assyria,” pp. 185–187, in the book titled Chaldeans Since the Early Beginning of Time.

Assyrian kings transferred the statue of the god Marduk from Babylon to Assyria several times throughout history, as a symbol of the transfer of power from Babylon to Assyria during specific eras when Babylon suffered from weak local leadership—especially during parts of the Middle and Neo-Assyrian periods. On the other hand, the kings and people of Assyria (who are Chaldeans by ethnicity) received the blessings of the god Marduk and his protection over the cities that hosted him. This was considered a glorification of Marduk and his status in the Mesopotamian pantheon, which formed the basis of Chaldean worship in both Babylonia and Assyria. 

The first attempt by an Assyrian king to steal the statue of Marduk occurred around 1243 BC, when Tukulti-Ninurta I transported it to Kalhu, the Assyrian capital. Although the Babylonians pursued him, defeated his army, and forced him to flee, he succeeded in taking the statue.

This act of looting the statue was repeated during the reign of Sennacherib, when the statue remained in Assyria for nearly ten years. Sennacherib attempted to exploit the presence of the statue to hold the AKITU festival for two years. However, the priests of the god Ashur became enraged, which led them to rewrite the Babylonian myth of creation (Enūma Eliš), making Ashur its protagonist hero. Since Ashur was an Asiatic-Anatolian (alien) deity without Mesopotamian genealogy, the temple priests made Marduk’s wife (Sarpanitum) his wife and made Nabu, the son of Marduk, a son of Ashur, the foreign god.

However, events did not unfold as Sennacherib had hoped. The people of Assyria—most of whom were Chaldeans—revolted due to this insult to Marduk, the principal god of Mesopotamia. The matter ended with Sennacherib’s assassination by his sons Arda-Mulissu and Nabu-shar-usur in 681 BC. This same horrible death was the fate of all who stole the statue of the god Marduk.

See the chapter titled “The Curse of Babylon,” pp. 86–87, Chaldeans Since the Early Beginning of Time.

See also the documentary film: The Hanging Gardens of Babylon in Babylon – Refuting Dalley’s Claims: The Hanging Gardens of Babylon  were in Babylon

www.youtube.com/watch?v=IW-l_NdwLEY 

Sennacherib’s limited attempt to impose the AKITU festival on Assyria for only a few years, and his construction of bīt akītu "House of Joy", designated for the sacred marriage, provoked strong reactions rejected by the Chaldeans of Assyria as well as by the priests.

This led to Esarhaddon restoring the main statue of Marduk to the Esagila temple and personally participating in the ritual of "taking the hand" of the god Marduk in Babylon—not in Assyria—during the celebration of AKITU (the Chaldean-Babylonian New Year). 

Sennacherib’s brief imposition of the AKITU festival on Assyria for only a handful of years does not make AKITU an Assyrian festival. This misconception is comparable to the erroneous claim that the discovery of flat and cylinder seals in the Indus Valley (such as Harappa and Mohenjo-daro), Afghanistan, and Egypt (due to trade exchange) suggests that those regions were the origin of seal-making.

However, archaeological discoveries confirm that the invention of flat and cylinder seals in Mesopotamia dates back to the Chalcolithic period (the 7th millennium BC). This means that Mesopotamian seals precede those of the Indus Valley and Afghanistan not by a few hundred years, but by more than three thousand years. Likewise, Mesopotamian seals predate those of Tell el-Amarna in Egypt by more than 4,250 years. 

In conclusion, aside from what are described as false claims fabricated in 1976 by Assyrianized Chaldean Nestorians regarding their alleged ethnic identity—and their claim that AKITU belongs to the Assyrian region for political motives, which I have refuted based on scientific standards supported by archaeological discoveries and Mesopotamian historical records—AKITU, whether the 1976 delusional Assyrians accepted or not, was and will remain a purely Chaldean-Babylonian festival.


Saturday, May 18, 2024

REFUTING STEPHANIE DALLEY’S MISCONCEPTION

 

THE HANGING GARDENS OF BABYLON WERE IN BABYLON


REFUTING STEPHANIE DALLEY’S MISCONCEPTION

 

Amer Hanna Fatuhi, Ph.D.

 

This study is based on

Dr. Amer Hanna Fatuhi’s history books listed in the References Section.

 

 All images are created or modified by (atelier a) Art & Graphics Studio

The artwork is also made possible by the Telecommunication & Media Expert

Engineer & Multimedia Expert Nannar Amer

  




INTRODUCTION

Due to the many phases of destruction that Babylon faced throughout its long and deep history, the Hanging Gardens probably represent one of the most challenging undertakings for archaeologists and excavators; however, this is not the case with historians. This position according to some scholars is not clear to archaeologists because we have not yet obtained conclusive indications concerning those gardens' upper stories' designs.

What makes this matter more intricate is that classic historians had mixed up the Babylonian ziggurat, the stepped E temen-na-ki tower, with the smaller Babylonian three-story stepped structure planted with trees and gardens. The ruins of that unique building and its wheels were discovered in the northeastern area of the southern palace of Nebuchadnezzar II.


 The geometrical/engineering principle implemented in building those gardens is the congruent sides of the triangle inscribed on a tablet uncovered in Ša-du-pu-um ki in Baghdad. This principle is derived initially from the axiom that “all right angles are equal.” A right corner is formed when two lines intersect each other perpendicularly. This postulate was known in Mesopotamia seventeen centuries before Euclid's axiom of the third century BC.

Since modern time scholars do not yet have clear-cut evidence advocating classical statements about the Hanging Gardens. We are left with no other choice but to consider the 1899-1917 | 1978-1979 unearthed three-story structure as an objective substitute for those spectacular gardens around which so many Greek tales were contrived.

 


When Koldewey excavated that structure's foundations in 1899-1917, he had no idea why it was built or its primary function. Thus he called it the House of Cellars. It consists of 14 domed hallways surrounded by an unusually thick wall. There were also wells with water raising mechanisms not known before in ancient Mesopotamia.

Those wells were connected by outlets forming the base for a hydraulic lift system with a chain pump (complicated mechanism). Accordingly, Koldewey announced in 1913 that that structure was the renowned Hanging Gardens based on what was mentioned in the writings of classical historians that the Hanging Gardens were built above a multi-cellar structure.

 


THE HANGING GARDENS OF BABYLON WERE IN BABYLON

REFUTING STEPHANIE’S DALLEY NAÏVE MISCONCEPTION

 Around 1857 A.D. and despite a lack of tangible evidence and limited discoveries on the one hand, and on the other hand, the dissatisfaction of many French, German, and other European scholars, the British Royal Asiatic Society (RAS) decided the name Assyriology was an accurate term! The British RAS scholars claimed that the cuneiform tablets that Layard discovered in Nineveh, the ancient capital of Assur from the period 668 – 627 BC, is the most ancient Mesopotamian writing system! 

However, in less than twenty years, thousands of tablets were collected from all over the Middle East. These tablets were inscribed with Cuneiform and Mesopotamian pictograph signs, not only two or three hundred years older than the ones discovered in Nineveh, but more than two thousand years, and in some cases more than three thousand years older, especially the tablets that were discovered in the Babylonian region, i.e., Kish, Eridu, Shuruppak, Lagash, Nippur, Ur, and Uruk.

Some European scholars suggested revisiting the term Assyriology and proposed other terms, including Cuneiformiology and Mesopotamialogy. This intention to right the wrongdoing by the RAS was what made Samuel Noah Kramer suggest the name Sumeriology in the first half of the 20th century. However, the RAS's British members ignored all the European scholars’ suggestions and insisted on using the wrong term, claiming there was no need to change what was in use worldwide for more than two decades. British experts’ arrogance and the government's political ambitions force the use of an inaccurate scientific term “no more and no less”!

 


Once again, the same course of conceit, pursuing fame, and other improper factors were behind the new inappropriate misleading claim suggesting another location for the famous Hanging Gardens of Babylon, one of the ancient world's seven wonders. Stephanie Mary Dalley FSA (née Page; March 1943) is another British scholar of the Ancient Near East. She retired as a Research Fellow from Oxford Oriental Institute. Dalley became known for her so-called investigation into the Hanging Gardens of Babylon, and her naïve and incorrect proposal, which will be exposed and refuted in this documentary.

 However, before presenting and refuting Dalley’s misconception concerning the Hanging Gardens of Babylon, I would like to draw your attention to the fact that if this kind of irresponsible proposition is not confronted and stopped in time it would result in more absurd views and more ridiculous ideas.  Like the ones included in the book titled The City of Babylon by no other than Stephanie Dalley, which was published in June 2021 by Cambridge University Press. Below is a link to one of her interviews concerning the book.

https://www.youtube.com/watch?v=23TXSjxVieM

BISI Webinar: Dr Stephanie Dalley on ‘The City of Babylon from c. 2000 BC to AD 116.

 


 

Dalley might be very good at deciphering Cuneiform script, which means that she might be a good linguist, however, the Iraqi National Museum and the schools of archaeology all over Iraq have tens and tens of Cuneiform decipherers who might be more credible than her.  It is a proven fact that someone might be the best linguist but that does not make him/her a great poet or novelist.

Furthermore, the most important fact here is that Dalley never trained as an archaeologist at Mesopotamian historical sites. Compared to the renowned Sir Leonard Woolley, Hans Baumann, Georges Roux, Joan Oates, H. W.F. Saggs, Fawzi Rashid, Fritz Krischen, Bahija Khalil Ismail, Benno Landsberger, Samuel Noah Kramer, and other iconic historians/archaeologists, she is just an average historian. In fact, her Mesopotamian knowledge in the field of archaeology does not exceed her 1962 visit to Iraq when she was a teenager accompanied by David Oates, a family friend when he was directing an expedition in Nimrud, northern Iraq, as well as working for one year between 1966 and 1967 at Tell al-Rimah as Epigrapher (decipher/linguist).

 


Dalley’s main problem is that every time she makes a statement to present a new falsified, presumptive idea, she comes up with more problems than solutions, and she sounds like she is purposely shooting her own foot  (i.e.,  at minute 38:08 of the above-mentioned video, she states out of the blue concerning the famous Lion of Babylon: "It is a symbol of Assyrian royalty" which is no more than an irresponsible and absurd statement). 

Ironically, Dalley built her entire hypothetical conclusion based on a fairytale. Dalley falsely hypothesized about an Assyrian booty relic of a four-inch-tall ivory plaque depicting Ethiopian or Nubian art, which was dumped in a well 70 feet deep among other ivories around 705 BC at Shalmaneser Fortress in Kalkhu, almost 25 years before Esarhaddon assumed the thrown in Nineveh!


 The Lion of Babylon is a finished common sculpture similar in its style and technique to many lion sculptures from Eridu to Jemdet Nasr periods. You can learn about the lioness ivory ornament and other non-Mesopotamian ivory booties by reading the compelling illustrated book, Assyria, written by Andre Parrot. 

Dalley’s fictitious story concerning the Lion of Babylon was made up to justify her baseless confused points concerning this Babylonian National Symbol. Her shallow story is the most ridiculous claim to the point that not even beginner historians no matter how hard they try can swallow. For example:

If the final destination of the statue was Babylon, then why would Esarhaddon have the statue carved in Egypt and then transported when it was unfinished through an endless desert to Babylon?

 


Why would Esarhaddon decide to carve the lion in Egypt on basalt stone when limestone and sandstone were the main stones of ancient Egypt?

 Why would Esarhaddon use Egyptian basalt when Hatti was one of the main basalt resources closest to Mesopotamia since the sixth millennium BC?

 Why would Esarhaddon, on his way back to Mesopotamia, go to Babylon and leave the lion there, when the Euphrates route is closer to Esarhaddon’s capital Nineveh?

How could Dalley claim that Esarhaddon and his mother murdered Sennacherib to justify the unfinished work of the statue when both historical and Biblical records state otherwise?

In fact, any beginner historian who specializes in Mesopotamia knows that Arda-Mulissu and the other brother, Nabû-šarru-uṣur, murdered their father [Sennacherib] in 681.

If she considers herself a historian, then why did Dalley not know that according to all the reliable historical records, Esarhaddon, the legitimate heir avenged his father by defeating his brothers in a famous six-week-long civil war?

 


 There is not one Mesopotamian tablet or record connecting Assyria or Esarhaddon to the Lion of Babylon, yet out of the blue, Dalley did not hesitate to sell her fictional and false claim concerning the Lion of Babylon that is considered one of the major Chaldean Babylonian National symbols.

Finally, there is no historical record whatsoever concerning the carving period of the Lion of Babylon although a few historians believe it goes back to the old Babylonian period. The lack of definite resources concerning the carving time of the statue also applies to the other Babylonian famous lions, i.e., the Lion of Eridu as well as the Lions of Shaduppum. All we know is that these statues are considered a Proto-Kaldi's common style. See Chaldean Legacy, PP 45-51.


CONCLUSION

Questioning the fictitious story of Dalley’s presumption concerning Esarhaddon and the Lion of Babylon can tell a lot about Dalley’s poor Mesopotamian knowledge as well as her questionable character. 

Quite frankly, I am shocked at how could any decent professional archeologist or credible historian specialized in Mesopotamia would give Dalley a platform to spread deceptions or even a pass for such nonsense!


REFUTING STEPHANIE’S DALLEY’S MISCONCEPTION:

THE HANGING GARDENS OF BABYLON MONUMENT IS IN BABYLON

Back to the main subject, Dalley suggested that the Hanging Gardens building was not situated in Babylon and was not built by Nebuchadnezzar II. These claims were made according to her feeble speculations in Nineveh and construction during Sennacherib's reign!

Since Dalley published her misleading theory of the Hanging Gardens and attributed them to the wrong place, time, and king, some Content Creators on social media have produced videos and articles supporting her inconsistent theory. Unfortunately, tens of papers and videos followed her deceptive path like sheep and out of ignorance on one hand, and on the other hand, the excitement of the so-called cracking of a long-known mystery sponsored by Oxford University.

Her theory is mainly based on manipulating historical records and fabricating alternative narratives that the Mesopotamian historical and geographic facts could easily refute. 

1. Dalley intentionally planned on confusing readers concerning the image of the Assyrian gardens between Sennacherib 705-681 BC, which he has nothing to do with the gardens’ image and the in-ground garden bed of Ashurbanipal 669–631 BC. She also claims that Sennacherib loved Babylon when in fact he destroyed Babylon and razed the greatest city of the ancient world to the ground. Ashurbanipal, the grandson of Sennacherib, was not less brutal than his grandfather. Ashurbanipal is known for burning Babylon down and looting its massive libraries and other Babylonian cities’ tablet archives, the largest known today as Ashurbanipal Library!  It is also worth noting, that the Ashurbanipal Library is not the oldest Mesopotamian library as claimed by many incompetent resources compared to the oldest ones discovered in the Babylonian region, i.e., Uruk, Sippar, Lagash, Nippur, Dur-Kurigalzu, and Shaduppum.

 


The below excerpt from Sennacherib's record can easily expose such an untrustworthy statement made by Dalley claiming Sennacherib loved Babylon: "As a hurricane proceeds, I attacked it and, like a storm, I overthrew it . . . Its inhabitants, young and old, l did not spare and with their corpses I filled the streets of the city . . . The town itself and its houses, from their foundations to their roofs I devastated, I destroyed, by fire I overthrew . . . In order that in future even the soil of its temples be forgotten, by water I ravaged it, I turned it into pastures. 'To quiet the heart of Ashur, my lord, that peoples should bow in submission before his exalted might, I removed the dust of Babylon for presents to the (most) distant peoples, and in that Temple of the New Year Festival (in Assur) I stored up (some) in a covered jar." ~ Georges Roux, Ancient Iraq, PP 322-323. 

2. Dalley’s shallow knowledge concerning Mesopotamian art and architecture led her to be confused between Sennacherib 705-681 BC, who established a water canal, or aqueduct, which was a traditional system in ancient Iraq, and a mural bas-relief in the Ashurbanipal Palace, ignoring the fact that Mesopotamian artists did not rely on a three-dimensional view in their murals. This technique is also known as the vanishing point, used by Italian artists during the Renaissance c. 1300 AD, almost two thousand years after the death of Sennacherib. However, the engraved mural used the common Mesopotamian layer technique, it merely depicts distances and not heights.

 


3. Dalley admits at minute 1:00:37 of her interview on the link below that the German archaeologist Robert Koldewey had found two wells and a very interesting water-raising mechanism by the building that Koldwey called the house of cellars and the Iraqi archaeologists called the vaulted structures (aka The Hanging Gardens) in the 1978 academic Journal of Archaeology, Vol. XXXV 1978, No 1-2, PP 127-136. However, she intentionally dodges these scientific facts: the wells, the complicated water-raising mechanism, and the building that was built upon vaulted structures according to the classical historians by foolishly stating that "it’s way away from anywhere that you could bring water from"!

https://www.youtube.com/watch?v=23TXSjxVieM

What proves her intentional manipulation of the truth and the misleading proposition is that she claims that to water the gardens "You would have to get it [the water] through all sorts of walls of palaces and fortifications".


 

This is an insane claim, simply because Dalley not only ignored the two discovered wells by the gardens building but also ignored (or maybe was not even aware) that the major Babylonian canal Libil-khegalla cut through the old city almost thirty (30) meters from Nebuchadnezzar’s palace/ The Hanging Gardens.

On top of that, Dalley purposely ignored or concealed the fact that the Euphrates River is only three hundred (300) meters from the garden building. Any layman could easily figure out that the two wells by the Hanging Gardens of Babylon, the Libil-Khegalla Canal, and even the Euphrates River, disprove Dalley’s unreliable statement "it’s [The Hanging Gardens] way away from anywhere that you could bring water from."

 As a matter of fact, the two wells, the Libil-Khegalla Canal, and the Euphrates River are much closer and more accurate to watering the gardens than bringing water from the distant Gomel River through the Jerwan aqueduct.

On the other hand, one of her so-called strong points that prove the Gardens were built in Nineveh is Sennacherib’s water canal, aka Jerwan Aqueduct, which has its water source starting at Khinis monumental complex. Dalley’s supposition suggests that it is fine for Sennacherib to bring water from the Khinnis located in Bavian, Duhok Governorate through the Jerwan aqueduct north of Mosul in the Nineveh Province of modern Iraq to water the gardens of Sennacherib’s palace located in Nineveh (80) Kilometers almost (50) Miles from Khannis water source located on the right-hand side of the Gomel River.


 To those who are unaware of the above-mentioned historical-geographical facts, the Jerwan aqueduct was dug during the time of Sennacherib to redirect the Gomel River and the canal to be used to bring sweet water to his capital city and the surrounding areas. This whole project covers an area of over 3,500 km2 located in northern Mesopotamia, between the Nineveh Plain of Mosul and the modern-day Duhok province, and has nothing to do with watering Dalley’s fictitious Hanging Gardens. 

4. More importantly, any simple peasant from the Nineveh Plain who relies on rainfall uses rainfed agriculture for farming knows that there is no need to invent complex irrigation technology.  All water wheels for irrigation have been used in central and southern Iraq, not in the north, which sustains its agriculture through rainfall and not through irrigation. 

5. Concerning Stephanie Dalley - Archimedes' Screw and the Date Palm Tree of Babylon, all I can say is that it's just another supposition because Dalley has once again built her entire wrongful theory on one uncommon palm tree trunk when every Iraqi knows that the real date palm trunk looks totally different as shown in the accompanying slide.

Dalley, who is not native to Mesopotamia, does not even know that there are 622 registered Iraqi date palm species. As kids, we used to climb them knowing exactly where to put our small feet to fit the spaces in the trunk. 

Nothing in the Iraqi date palm looks like Archimedes' Screw and even the one Dalley used has both horizontal and somewhat oblique angles. The accompanied slide depicts ancient and modern date palm trunks and none looks like the one Dalley used to create her false claim. Plus, whoever did the sketch has purposely manipulated the actual shape and diagonal the horizontal lines to fit Dalley’s unfounded theory. However, our next image proves beyond doubt that Dalley is wrong.

Babylonians were the masters of math, geometry, and science which led them to invent the water clock way before Sennacherib's time. More importantly, there is not one tangible discovery (tablet or engraved work) that connects Archimedes' Screw to Dalley’s imaginary Sennacherib watering mechanism theory. 

6. Berossus (Bēl-rē'u-šu) was falsely smeared and accused by Dalley, who stated that for political reasons, Berossus had attributed the Hanging Gardens to Babylon. Dalley also out of overconfidence judged and dismissed the hard work of prominent German, French, American, and Native Iraqi archeologists in a very disrespectful way claiming that "there was a desperation to find them [The Hanging Gardens] in Babylon and they couldn’t".

Such character assassination and biased allegations ignore the fact that Berossus was one of the essential Babylonian intellectuals during the Hellenistic era and that he is a native Babylonian who knew firsthand every single detail of Babylon. Koldwey’s in-depth excavations in Babylon and position concerning the Hanging Gardens of Babylon location is quite superior compared to Dalley’s short visit and baseless proposition.

 

Furthermore, Dalley’s mocking and smearing of Berossus tells a lot about Dalley’s character, especially for those who do not know that Berossus was as stated a native Babylonian who taught Greek, philosophy, math, and science at Kos Island, where they installed an impressive statue of him out of appreciation and admiration. Such remarkable status does not apply to Dalley who practically proved that her knowledge concerning Babylon is below poor. 

Berosus was the main source for classical historians in confirming the biblical narrative of the Tower of Babel; however, many secular scholars thought the tower was a fictional story made up for a spiritual cause. Other scholars doubted the foundations of the tower that was discovered by the Germans during Koldwey’s excavations in Babylon from March 26, 1899, to March 11, 1917. This matter continued to be somewhat controversial up until the two fragments of black stone making up the Tower of Babylon stele with pictures of the ziggurat in Babylon [the tower] and King Nebuchadnezzar II were found near the É-sagila temple. Berossus was correct and those who doubted him were wrong. This fact also applies to the Hanging Gardens and Koldwey’s excavations in Babylon.

6. Some British historians tried to give explanations far from reality about the writings of Flavius Josephus (37 AD), Diodorus Siculus (c. 45 BC), and other scholars who wrote about the Hanging Gardens of Babylon on the pretext that they were talking about the Ashurbanipal bas-relief mural discovered c. 1846 AD. Such an irresponsible explanation ignores the fact that none of the classical historians were aware of the Ashurbanipal bas-relief mural that was buried and forgotten for over 600 hundred years.

Dalley and those who are supporting her misleading theory, for unknown reasons, also ignored the fact that Nineveh, the Assyrian last capital, at that time was no longer in existence after centuries of destruction, so how could the classical historians talk about a bas-relief that they are not even aware of?



On the other hand, German, French, American, Russian, and Iraqi archaeologists and historians, i.e., Dr. Bahija Khalil Ismael, Dr. Fawzi Reschid, and Bashir Youssif Francis have unquestionably confirmed that the unique refrigerator building of Babel discovered at Nebuchadnezzar II’s Palace is the most likely site for the Hanging Gardens. To learn about this subject read Chaldean Legacy, PP 155-159.

7. Dalley argues that Nebuchadnezzar II’s records did not mention the Hanging Gardens, ignoring the fact that we have not found most of Nebuchadnezzar II records and those of many other great Babylonian kings.

The flooding of Babylon twice by Sennacherib and Ashurbanipal, the Euphrates River's diversion in the Cyrus era, the 482 BC vast destruction of Artaxerxes, and the vast destruction of Nebuchadnezzar palace with dynamite in 1889 by the Ottomans erased the history of thousands of years, including countless records of Nebuchadnezzar II.


In 521 B.C., the Babylonians appointed their king, Nebuchadnezzar IV, and the city rebelled. Darius’s gigantic army defeated the rebel army and captured Babylon. The Persians destroyed Babylon’s defenses, pulled down all the city gates, and burned its landmarks and libraries, and the Chaldean king and his inner circle of warriors and leading followers were impaled inside the city.

In 482 B.C., Babylon revolted in September against the Achaemenid Empire's occupation, killing Zophyrus the Persian ruler, and defeating Ahasuerus/Xerxes’s Persian army. The brutal king sent an enormous army under his brother-in-law Megabysus’ command to capture the city at the beginning of October.


The Persian military destroyed the temples and took away the idol of the Babylonian god Marduḫ, burning the glorious Chaldean capital and its main structures, including schools and libraries. Once again, over three thousand leading Chaldean revolutionists were impaled inside the city around October 6, 482 BC. The question here is, “How many of Nebuchadnezzar II’s records were either destroyed or buried and hidden to this day to survive those massive waves of destruction?”

8. Mesopotamian civilization especially the Babylonian region was built with clay as most of the buildings and temples were constructed of mudbrick. However, the important temples and palaces were made of fired bricks. The fired bricks proved to be the most suitable materials to stand for thousands of years. 

However, the laughable point is that Dalley who is an alien to the land and its environment has ignored this fact and intentionally mocked the Babylonian builders by making jokes about planting trees on top of brick-made structures, which according to her naive view "would be absolute disastrous”. Her discreditable point was made to convince her unaware readers that bricks are insufficient construction materials, which also makes them accept her misleading theory.

 


However, the joke is on Dalley, because it seems she either did not tell the truth to her readers or she is not aware of the common basic technique used to build temples, ziggurats, and palaces in the Babylonian region. The fired brick technique allowed the Mesopotamian builders to maintain adequate room temperature and create massive arches and domes, which also survived for over seven thousand years.

The brilliant Mesopotamian builders also used isolating layers mixed with asphalt. This unique technique was studied and explained in detail by many scholars - non-Iraqis and Iraqis, including my professor Dr. Fawzi Reschid in his 1991 book, Nebuchadnezzar II.

The fired-brick technique was also mentioned in many studies published in Sumer, the official academic journal of archaeology & history, published by the state organization of Antiquities and Heritage, Baghdad since 1945. Planting trees and other plants played a significant role in these buildings for two major purposes, aesthetic and functional. More technical details are available in the book titled, Chaldean Legacy, PP 155-159




Finally, it is worth mentioning that planting trees on the Babylonian palace roofs is common in Sumer and Akkad, a traditional practice still used in Baghdad and other provinces nowadays, unlike Nineveh, which is already famous for its natural forests and colder weather.

Any ordinary observer could quickly figure out that Sennacherib or the Jerwan Canal's only purpose was to provide sweet water for the palace and the surrounding areas. Trees surrounded Sennacherib’s palace, some in front, and others at a distance or near it, but there was not a single tree on the palace's roof. Those who have visited the area can easily confirm that the canal was not built to plant trees. The landscape around it, front and behind, is full of plants and trees. However, there is not one tree hanging on the roof of the palace or the aqueduct.


When it comes to highly regarded and fair-minded Mesopotamialoists for example, Sir Leonard Woolley, Seton Lloyd, Joan Oates, and Irving Finkel, I tip my hat in respect.

However, it seems that there are some so-called academics still thinking that they are living in the British colonial era, and therefore they are entitled to be superior to other German, French, American, and even native Iraqi archaeologists who know their native land like the back of their palms.

Unfortunately, such an unrealistic illusion would allow them to suggest whatever they like, thinking that the rest of the world will follow. 

The fact of the matter is that every single speculation that Dalley came up with whether concerning the Lion of Babylon or The Hanging Gardens of Babylon is historically inaccurate and scientifically false, baseless, shallow, and naive. In fact, Dalley is not utterly wrong, but her inappropriate groundless theories are stone dead.

 


ABOUT THE AUTHOR | Amer Hanna Fatuhi, Ph.D.

 Fatuhi is a scholar of ancient history and native Mesopotamians.  He is also a professional writer, art critic, and an established visual artist, creator of the “Logogramism” art style, 1988-1992.

Fatuhi studied engineering, fine arts, and history. Throughout his extensive and solid creative career, Fatuhi received many International and National Awards and Honours including iaa/UNESCO 1984.

He is also considered one of ten worldwide creative Artists/Writers ~ World Literature Today academic magazine, 2009

  

REFERENCES:

 Fatuhi, Amer Hanna, The Jews of Babylon, Past & Present, U.S., 2024

Fatuhi, Amer Hanna, Chaldean Legacy, U.S., 2021

Fatuhi, Amer Hanna, The Untold Story of Native Iraqis, U.S., 2012

Chaldeans Since the Early Beginning of Time (In Arabic), U.S. 2004 / Iraq 2008

 


www.ChaldeanLegacy.com | www.NativeIraqis-Story.com | www.JewsofBabylon-Book.com

 


You can also watch Mesopotamian Knowledge video titled The Hanging Gardens of Babylon Were in Babylon at the link below: 

https://www.youtube.com/watch?v=IW-l_NdwLEY